Wednesday, August 10, 2011

Graffiti in SoHo

While the "malling" of SoHo is almost complete, there are still some interesting places where art breaks through.  These informal "galleries" on walls surrounding parking lots and on the facade's of the few derelict buildings in the neighborhood still attract installations from well-known taggers and draw crowds that follow them to see their latest work.  Here are a few interesting pieces that I saw on a recent walk in SoHo.






Parking Lot at SW corner of Wooster & Grand

East Side of Wooster btwn Grand & Canal



East Side of Wooster btwn Grand & Canal


East Side of Wooster btwn Grand & Canal


East Side of Wooster btwn Grand & Canal



Greene Street btwn Grand & Broome

Friday, August 5, 2011

Thursday, August 4, 2011

Sol Lewitt: Structures 1965-2006

Before this exhibition landed in City Hall Park across from my apartment, I was not very familiar with Sol Lewitt and his body of work. What fun it has been to see the sculptures over an extended period of time. With each viewing they seem to reveal themselves in different ways. In the early morning, midday or early evening they alway have something new to offer in terms of how they are perceived.

I am fascinated by the discipline and systems that Lewitt created in order to generate these designs.  They are works that have real presence.  If you are in New York, it is definitely worth the time to see them.






















Sunday, February 20, 2011

Excellent Graffiti

The scale of the following image left by Obey on the wall facing a parking lot in SoHo gave it tremendous impact, really mesmerizing.  Check it out at the southwest corner of Grand and Wooster.


Thursday, February 17, 2011

QR Codes gone wild






Quick Response (QR) codes are everywhere now; in print ads, on subway stop walls and even billboards.  These small, square barcodes allow interested observers  with smart phones to link directly to websites to get more information on the event, service or product advertised. I was amazed to see the Picasso Exhibition QR code poster in SoHo.  It will be great to see how creatively employed the codes are in the future.

Monday, January 17, 2011

Rear of Building, 56th Street@ 3rd Avenue


Happy accident!
Love seeing the new perspectives
that construction projects reveal.
Soon will revert to being
a back alley once again

How would you like your building draped?

Draping on a building? Really? Are you kidding?

What was thought to be styling unique to the world of apparel and home fashion, has crept into the world of architecture.

Draping was used by the ancient greeks to fashion stylish outfits from a single length of cloth without the use of seaming and stitching.  you can see an example of draping in this 6th century b.c. greek statuary.


In hands of Architectural giant, Frank Gehry, draping is now soaring to new heights.  Using aluminum, not fabric as his medium, Gehry has patterned undulating waves of draping accross his 76 story Beekman Tower building in lower Manhattan.




 

Thursday, January 13, 2011

Costume Institute Receives $10 million Gift

Art in Fashion in NYC just got a great big boost! 

It was just announced that the Costume Institute will be the recipient of a $10 million dollar gift from Lizzie and Jonathan Tisch.  The gift will be used for the Costume Institute’s renovation, and the creation of a 4,200-square-foot exhibition space within it. See the full article from WWD below:
The Costume Institute at the Metropolitan Museum of Art is getting a major boost from Lizzie and Jonathan Tisch.
The philanthropic Manhattan couple is making a $10 million gift to the museum, which will go toward The Costume Institute’s renovation, and the creation of a 4,200-square-foot exhibition space within it. The wing will be called the Lizzie and Jonathan Tisch Gallery.

“It’s going to transform our whole area,” Harold Koda, curator in charge of the Costume Institute, said of the complete renovations, which will start next year.

Koda said that, since the early Nineties, the institute featured fixed glass vitrines in its permanent space.

“Although it allowed people to get closer to the objects, it was always something that the public resisted,” Koda said. “They wanted more of a sense of the tactility of the objects, because costume is as much about materials as it is about the sculptural quality of the piece. There was always a sense that by just having this interface, it was difficult to consider the surfaces of our objects.”

The new configuration will address this with rotating installations. “It will allow us to completely revisit the configuration with much more flexibility,” Koda said, adding that it will allow the museum to incorporate new technology and lighting systems, “at a time when both Andrew [Bolton, curator] and I are considering different ways of presenting costume.”

Other costume-related exhibition galleries, study collections and a conservation center will also be refurbished.

Together with the Brooklyn Museum Costume Collection, which it took over in 2009, the Costume Institute has about 35,000 pieces in its collection.

Lizzie and Jonathan Tisch explained how fashion, art and culture are becoming increasingly intertwined. “The renovation of the Costume Institute will give this interrelationship the proper focus it deserves at the museum,” the couple said. “The new gallery will allow young designers and students to see and learn while advancing both art history and the art of fashion design.”

Monday, January 10, 2011

Silhouettes taking a high profile in Fashion and Media

Silhouettes are appearing all over, from magazine covers to bus stop shelters.  Rather than individual silhouettes, the predominate framing here is as a product "mash-up" or collage. Fantastic, artful way to present collections or product groupings.  Here are some notable examples:

 W Magazine, September 2010


Barney's Windows, Fall 2010


 Petit Bateau Window, NYC

 Book Cover: The Geometry of Pasta

 Bus Stop Shelter, Tribeca, NYC: Mechanic Advert

Supima Market Bag